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Both grimly naturalistic and infused with classical values at their most thoughtfully composed, “Land of Mine” is epic but deeply intimate elegant but tough.
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Photographed by the director’s wife, Camilla Hjelm Knudsen, it’s a canvas of stark, high-contrast images of bodies against the white swath of Danish beach, the de-saturated palette and wide frame suggesting both inexorability and a sense of almost irrational dislocation: How can such a monstrous, misguided enterprise be transpiring in a place of such awesome, serene beauty?Īs Rasmussen processes his own sense of professional and personal trauma, “Land of Mine” embraces similarly vast questions, none more vexing than the enduring prison of man’s inhumanity to man. The story of “Land of Mine” is a fascinating and largely unknown one, but what makes the movie special is Zandvliet’s command of space and visual language. (Camilla Hjelm Knudsen/Sony Pictures Classics) Louis Hofmann portrays Sebastian Schumann in the film. Even more effectively, writer-director Martin Zandvliet introduces a welcome moral argument, as the spiritual costs of postwar hatred and retribution take on grimly personal proportions. Recalling the excruciatingly tense action of “The Hurt Locker,” this thriller-cum-morality tale does a superb job of ratcheting up a taut sense of dread and anticipation.
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Against a backdrop of stunning windswept natural beauty, the fictional characters in “Land of Mine” re-create the meticulous, often deadly work of locating and defusing the buried bombs, which lie in wait with fatal certainty. Three films have been chosen as Denmarks possible candidate in the Best International Feature Film category at the Oscars: Flee by Jonas Poher Rasmussen, Margrete Queen of the North by Charlotte Sieling and The Shadow in My Eye by Ole Bornedal. The action takes place at the end of the war, when German prisoners - most of them teenagers conscripted in desperation by Adolf Hitler - were sent to the Danish coast to clear the more than 2 million land mines that had been planted there. English News Three films land on Danish Oscar shortlist. The Danish movie “Land of Mine,” which recently competed for a foreign-language Oscar, is the kind of film that becomes an instant classic: in this case, a World War II drama that manages to evoke the scope and solemn emotion of the best of that genre while relating an untold story with bold vision and assurance.